The theme of Symbolism and War in Persepolis - Free Essay Example

Sample details Pages: 5 Words: 1490 Downloads: 5 Date added: 2019/07/01 Category Literature Essay Level High school Topics: Persepolis Essay Did you like this example? Every war has millions of stories, and people who lived through it all tell the best ones. Persepolis refers to the ancient capital of the Persian Empire, published in the United States in 2003, is a graphic autobiography novel by the Iranian author, Marjane Satrapi. Satrapi details her experience and life before, during and after the Iranian Revolution and the Iran and Iraq war. Don’t waste time! Our writers will create an original "The theme of Symbolism and War in Persepolis" essay for you Create order Satrapi also includes political and cultural events that helped shape her into the women she is today. The novel begins after the Islamic revolution had started, when Satrapi is only 10 years old. Women were forced to wear the Veil, girls and boys were placed in separate schools, and entertainment activities such as music, playing cards or even having posters of singers were banned. Satrapi, goes by Marji in the book, and her family werent happy about all the changes. Her family was considered modern and secular. Satrapi got in trouble many times throughout the first chapters because of her rebellious acts so her family sent her to Austria. After going through tough times in Austria, Satrapi went back to Iran. She got married and shortly after getting divorced then moved to France for good. Satrapis Persepolis is a fascinating book that illustrates many rhetorical strategies, but the four that affected me the most were her use of imagery, syntax, irony and symbolism. The use of these devices made her story come to life. One of the many rhetorical devices Satrapi uses is Imagery; she uses both visual and verbal imagery. Satrapi uses many visual imagery examples throughout the story since its a graphic novel but the strongest example is when her hometown, Tahran, got bombed. Satrapi was out with a friend shopping when she heard it on the radio. She ran as fast as possible to get home and make sure her house and family were okay. When she made it home, she found out that her mother was home alone at the time and the bomb didnt hit their house. Her mother told her that the bomb destroyed their neighbors house, Baba-Levys. While walking home with her mother, Satrapi looks at the destroyed house and sees an arm with a purple bracelet under a pile of bricks. Starapi immediately remembers her neighbors daughter Neda and looks away, then says, No scream in the world could have relieved my suffering and anger. (Strapi 142) Starapi chose to draw this panel with nothing but a black image to describe her overwhe lming pain and sadness. An example of verbal imagery is when Satrapis parents come home after a long day of protesting against the shah, she describes her parents by saying, After marching and throwing stones all day, by evening they had aches all over, even in their heads.(Satrapi 18) This quote shows how worn out and exhausted her parent were due to all the horrible changes in their country. A second rhetorical technique Satrapi uses is Syntax. Syntax is the grammatical use of words to make well-formed sentences. An example of syntax in Persepolis is when Satrapi was a young girl and realized the differences between the social classes, she said, The reason for my shame and for the revolution is the same: the difference between social classes. (Satrapi 33) Satrapi uses a colon to make her readers feel as if they have made the realization with her. Another use of syntax is when Satrapi was explaining how Iranian felt about the shah, she wanted to create a playful tone by using a colon, she said, The people wanted only one thing: his departure! So finally.. (Satrapi 41) then we see a picture of the Shah, his soldiers and protesters indicating that he left. A third rhetorical device Satrapi uses in Persepolis is irony. Irony is used to describe how things seem and how they really are. There are three different types of Irony, verbal Irony, situational irony and dramatic irony. An example of dramatic irony in Persepolis is when the shah gets dethroned; the United States refused to give him a shelter when they were his biggest supporters when he was still a ruler. Satrapi also uses situational irony when she told the story of her parents and wine in the The Wine chapter. She explains that during the Islamic revolution, people were not allowed to party or drink but her family and friends still did it. One day, her family went to celebrate her newborn cousin. On the way back home, the police stopped them and asked them if they have been drinking, Satrapis father denied it. The police decided to follow them home and search it for any banned items. So when the family got home, Satrapi and her grandmother ran upstairs and got rid of all the wi ne. Satrapis father ended up bribing the police officer and made him leave. After the police had left, Satrapis father wanted alcohol badly but ironically, Satrapi and her grandmother got rid of it all. Another use of situational irony is in the The Passport chapter. Satrapi and her family went to visit her aunt. While they were there, her aunts husband started smoking so his wife got mad at him and asked him to stop smoking because he has had two heart attacks in the past, but her aunts husband said, The stress I get from every gunshot I hear is much worse for me than the cigarettes. (Satrapi 118) Ironically, he gets hospitalized few days later due to his fear from a grenade that his neighborhood and dies. The last and the most important rhetorical device Satrapi uses in Persepolis is Symbolism. Symbolism is the use of symbols to illustrate ideas by giving them important meanings that are different from their natural or exact definition. Starapi uses many examples of symbolism in her novel. One of the most important symbols is her bed. Satrapi mentions her bed many times throughout her story. Its where she does most of her thinking in the novel. We see it through her moments of change and maturing. The bed could symbolize a better world for Satrapi as well as her mind and thoughts. The cigarette in the The Cigarette chapter is also a great use of symbolism. In this chapter, Satrapi makes new friends and ends up skipping class with them. Her mother finds out and gets mad at Satrapi. Satrapi being upset goes down to the basement. While Satrapi is in the basement thinking about all the horrible things going on in her country; she finds a cigarette and smokes it then she says, With this fi rst cigarette I kiss childhood goodbye. (Satrpai 117) The cigarette symbolizes Satrapis independence but it also symbolizes her own act of rebellion against whats going on in her country as well as against her mother who thinks Satrapi was a child still. Another important use of symbolism in Persepolis is the veil. We are introduced to the veil in the very first chapter The Veil. The chapter explains how women and young girls were forced to wear the veils. Satrapi as a young girl, and her friends didnt like wearing the veil simply because they didnt understand why they had to wear it. Wearing the veil wasnt a choice, it was obligated and a set law by the government, all females had to wear it. Satrapis family was modern and didnt like to wear the veil. Satrapi and her mother would only wear it when they go out to avoid getting in trouble, but would not wear it at home. She says, I really didnt know what to think about the veil. Deep down I was very religious, but as a family we were very modern and avant-garde. (Satrapi 6) As time went by, the veil became even more of a big of a deal to the government. Satrapis mother went through an awful and terrible experience because of it. Satrapis mothers car broke down, while waiting for Satra pi and her father to come and get her, she was stopped and insulted by two men because she wasnt wearing the veil. Satrapis mother said, They insulted me. They said that women like me should be pushed up against a wall and raped then thrown in the garbage, and that if I didnt want that to happen, I should wear the veil. (Satrapi 74) The veil in Persepolis symbolizes the abuse and persecution of women and covering their freedom and voice. It also symbolizes the oppressive Iranian government. Satrapis Persepolis is a great book filled with cheerfulness, sorrow and moments of childhood in a world where children were forced to do things they didnt want to do and didnt understand why they had to do it. Where kids had to grow up sooner than the rest of the world. War is a hard subject to write about, but with Satrapis great use of rhetorical strategies, such as imagery, irony, syntax and symbolism, it gave the novel a playful and cheerful tone.

Macbeth -Schizophrenia in Macbeth Essay example - 987 Words

In Shakespeares Macbeth, Macbeth and Lady Macbeth both show signs of what would today be diagnosed as symptoms of schizophrenia. Schizophrenia is defined as a psychotic disorder characterized by loss of contact with the environment, by noticeable deterioration in the level of functioning in everyday life, and by disintegration of personality expressed as disorder of feeling, thought, and conduct. There are three major symptoms of the disorder; not being able to distinguish the difference between fantasy and reality, incoherent conversations, and withdrawal physically and emotionally. The most common and most well known symptom of schizophrenia is when people cannot distinguish between what is real and what is not. Schizophrenics often†¦show more content†¦It became all they thought about and their whole being revolved around it. When Lady Macbeth finds that Macbeth has been prophesized to be king, she does not believe he is capable of fulfilling the prophecy alone. So, she s ays to herself, Hie thee hither, that I may pour my spirits in thine ear, and chastise with the valor of my tongue which fate and metaphysical aid doth seem to have thee crowned withal. (I.5.23-28) Macbeth becomes so passionate about becoming the king that he killed anyone who could possibly take the throne away from him, even the king, Duncan. I have done the deed. he said to his wife after killing him. (II.2.14) Macbeth shows several symptoms of schizophrenia. These symptoms are techniques that Shakespeare uses to create the idea that Macbeth has a mental illness. Macbeths main symptom is detachment from reality. While contemplating killing Banquo to secure his fate, Macbeth begins to see an imaginary dagger in front of him. He asks, Art thou not, fatal vision, sensible to feeling as to sight, or art thou but a dagger of the mind, a false creation, proceeding from the heat-oppressed brain? (II.2.35-39) Then after Banquo is dead, Macbeth believes he sees his ghost during a dinner with the countrys nobility. Macbeth says, The tables full. (III.4.46) Lennox points to the seat where Macbeth sees Banqos ghost sitting and tells him that it is empty. Puzzled, Macbeth asks, Where? (III.4.48) HeShow MoreRelatedThe Tragedy Of Macbeth And Macbeth1510 Words   |  7 Pagesmodern english texts. While living through the 1500s-1600s, and having very little knowledge of psychological issues, Shakespeare po rtrayed mental illnesses in Macbeth fairly accurately. The characters in the tragedy of Macbeth show many characteristics and warning signs of mental disorders such as Post Traumatic Stress Disorder (PTSD), schizophrenia and depression. 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Schizophrenia is defined as, quot;a psychotic disorder characterized by loss of contact with the environment, by noticeable deterioration in the level of functioningRead MoreMacbeth Mental Essay1536 Words   |  7 PagesMacbeth Research Paper Dontee L. Sessoms 3rd period Macbeth With anger, illusions, stress and so much more I will analyze Macbeth and lady Macbeth for their problems and disorders. In my research I will decipher between certain diseases such as bipolar disease, anxiety disorder, obsessive compulsive, panic disorder, post traumatic stress disorder, stress disorder, borderline personality disorder, schizophrenia, sleeping disorder, and paranoia to see exactly which one ofRead MoreMacbeth Mental Illness Paper1012 Words   |  5 PagesIn Shakespeare’s Macbeth, Macbeth and Lady Macbeth both show signs of what would today be diagnosed as symptoms of schizophrenia. Schizophrenia is defined as â€Å"long-term mental disorder of a type involving a breakdown in the relation between thought, emotion, and behavior, leading to faulty perception, inappropriate actions and feelings, withdrawal from reality and personal relationships into fantasy and delusion, and a sense of mental fragmentation†. There are three major symptoms of this disorder:Read MoreEssay about Macbeths ambition907 Words   |  4 Pageswish for, because that power might be exactly what causes their downfall. In the play Macbeth written by William Shakespeare ambition plays a great role and is also a main theme. Ambition is often the motivating force in ones life. It is supposed to be the motivating factor that drives one towards success. The main character, Macbeth has ambition even though it leads him to his downfall. In contrast, Lady Macbeth pursues her goals with greater determination, yet she is less capable of withstandingRead MoreMacbeth Mental Illness Essay746 Words   |  3 Pages In the beginning of the play, Macbeth was in a great state of mind, he won the war for the people of Scotland, and was seen as a hero. On the way home from war, Macbeth meets three witches who prophesied that he will become The King of Scotland, which led to the ultimate downfall of his mental health. Throughout the rest of the play, you start to see him struggle with insomnia, hyperarousal, hallucinations, paranormal schizophrenia, and anxiety which we see throughout the play, that graduallyRead MoreTheme Of Violence In Macbeth1186 Words   |  5 PagesIn the play Macbeth by William Shakespeare, violence is a recurring theme much appreciated by the audience of the 16th to 17th century, yet it is much more than just sword fight and action. Violence is a tool that Shakespeare uses to reveals the psychological state of the characters. Throughout the piece, different levels of dishonourable violent actions reflect a character’s sanity level. Honourable violence shows a sane mind, whereas dishonourable physical violence starts the descent toward madnessRead MoreMacbeth Analysis1293 Words   |  6 Pages Sigmund Freud displayed heavy interest in Shakespeare’s Macbeth (Holland 66). Just like Freud, multiple psychoanalysts explore Macbeth’s mental state. William Shakespeare’s tragedy, Macbeth, devel ops a character who begins as a soldier and becomes a corrupted leader. Readers of Macbeth begin to notice the psychological deterioration of Macbeth as he gains more power. Rollo May, a writer and existential psychologist, distinguishes the five levels of intrapsychic power levels. May argues that the

Bloodsucking Fiends A Love Story Chapter 32 Free Essays

Chapter 32 All for One, and†¦ Well, You Know They might have been the Magnificent Seven or the Seven Samurai. If each of them had been a trained professional, a gunfighter with a character flaw, or a broken warrior with a past – or if each had a secret reason for joining a suicide mission, an antihero’s sense of justice, and a burning desire to put things right – they might have become an elite fighting unit whose resourcefulness and courage would lead them to victory over those who would oppose or oppress. But the fact was, they were a disorganized bunch of perpetual adolescents, untrained and unprepared for anything but throwing stock and having fun: the Animals. We will write a custom essay sample on Bloodsucking Fiends: A Love Story Chapter 32 or any similar topic only for you Order Now They sat on the registers as Tommy paced before them telling them about the vampire, about Simon’s death, and giving them the call to action while the Emperor stood by quoting passages from Henry the Fifth’s speech at the Battle of Agincourt. â€Å"The cops aren’t going to believe it, and I can’t do it alone,† Tommy said. The Emperor said, â€Å"‘We few, we lucky few†¦ â€Å" â€Å"So who’s with me?† The Animals didn’t say a word. â€Å"Barry,† Tommy said, â€Å"you’re a scuba diver. You’ve got some balls, right? Sure, you’re balding and going to fat, but this is a chance to make a difference.† Barry looked at this shoes. Tommy jumped to Drew, who hung his head so that his greasy blond hair covered his face. â€Å"Drew, you have the most complete knowledge of chemistry of anyone I’ve ever met. It’s time to use it.† â€Å"We’ve got a truck to unload,† Drew said. Tommy moved to Clint; stared into his thick glasses, ruffled his curly black hair. â€Å"Clint, God wants you to do this. This vampire is evil incarnate. Sure, you’re a little burned out, but you can still strike a blow for righteousness.† â€Å"Blessed are the meek,† said Clint. â€Å"Jeff!† Tommy said. The big jock looked up, as if the key to the universe lay in the fluorescent lights. â€Å"Jeff, you’re big, you’re dumb, your knee is blown out, but hey, man, you look good. We might be able to use that.† Jeff began whistling. Tommy moved on. â€Å"Lash, your people have been oppressed for hundreds of years. It’s time to strike back. Look, you don’t have your MBA yet – they haven’t completely juiced you of your usefulness yet. Would Martin Luther King back down from this challenge? Malcolm X? James Brown? Don’t you have a dream? Don’t you feel good, like you knew that you would, now?† Lash shook his head. â€Å"I have to study in the morning, man.† â€Å"Troy Lee? Samurai tradition? You’re the only trained fighter here.† â€Å"I’m Chinese, not Japanese.† â€Å"Whatever. You’re a kung-fu guy. You can reach into a guy’s pocket and take his wallet before he knows it’s gone. No one has reflexes like you.† â€Å"Okay,† Troy said. Tommy stopped on his way to the next man. â€Å"Really?† â€Å"Sure, I’ll help you. Simon was a good friend.† â€Å"Wow,† Tommy said. He looked to Gustavo. â€Å"Well?† Gustavo shook his head. â€Å"Viva Zapata!† Tommy said. â€Å"Leave him alone,† Troy Lee said. â€Å"He’s got a family.† â€Å"You’re right,† Tommy said. â€Å"Sorry, Gustavo.† Troy Lee got up and stood in front of the other Animals. â€Å"But you fuckers. You worthless bags of dog meat. If Simon could see you he’d shoot every one of you. This could be the best party we ever had.† Drew looked up. â€Å"Party?† â€Å"Yeah,† Troy Lee said, â€Å"party. We drink some brews, kick some ass, dismember some monsters – maybe pick up some babes. Christ, Drew, who knows what kind of shit we could get into. And you’re going to miss it.† â€Å"I’m in,† said Drew. â€Å"Me too,† said Barry. Troy looked at Jeff and Clint. â€Å"Well?† They nodded. â€Å"Lash, you in?† â€Å"Okay,† Lash said without conviction. â€Å"Okay,† Tommy said. â€Å"Let’s throw the truck. We can’t start until morning anyway. We’ll figure out a plan and get some weapons then.† Troy Lee held up a finger. â€Å"One thing. How do we find the vampire?† Tommy said, â€Å"Okay, let’s get to work.† Morning found the Animals in the Safeway parking lot, drinking beer and discussing the strategy for finding and disposing of a monster. â€Å"So, as far as you know, drugs don’t affect them?† Drew asked. â€Å"I don’t think so,† Tommy said. â€Å"Well, no wonder he’s pissed off,† Drew said. â€Å"What about guns?† Jeff asked. â€Å"I’ve got Simon’s shotgun at my house.† Tommy thought for a moment before answering. â€Å"They can be hurt; I mean, damaged. But Jody heals incredibly fast – this guy might even be faster. Still, I’d rather have a twelve-gauge against him than nothing.† Barry said, â€Å"A stake through the heart always works in the movies.† Tommy nodded. â€Å"It might work. We could try it. If we get that far, we can cut him up, too.† â€Å"Spearguns,† Barry said. â€Å"I’ve got three of them. A CO2 model and two that use elastics. They won’t shoot far, but they might pin him down while we cut him up.† â€Å"I’ve got a couple of short fighting swords,† Troy Lee interjected. â€Å"Razor sharp.† â€Å"Good,† Tommy said. â€Å"Bring ’em.† â€Å"I’ll bring the Word,† Glint said. He’d been shouting â€Å"Get thee behind me, Satan,† all night, putting the Animals on edge. â€Å"Why don’t you just go home and pray,† Lash said, giving Glint a push. â€Å"We need some action here.† He turned from Glint and addressed the group. â€Å"Look, guys, spearguns and swords are great, but how do we find this guy? The cops have been looking for him for three months, and they obviously haven’t had any luck. If he’s really after Tommy, then the best thing we can do is ambush him at Tommy’s apartment. And I’m not sure I want to face him when he’s awake. Simon was my friend too, but he was also one of the quickest people I ever met and the vampire took him out like he was a baby. And the paper said that he was armed. I don’t know†¦Ã¢â‚¬  â€Å"He’s right,† Drew said. â€Å"We’re fucked. Anyone want to catch the ferry to Sausalito and terrorize some yuppie artists? I’ve got mushrooms.† â€Å"Shrooms! Shrooms! Shrooms!† the Animals chanted. Suddenly there was a staccato clanging, like someone banging on a garbage-can lid with a stick, which is pretty much what it was. The Emperor, who had been silent all night, stepped into the circle. â€Å"Before your spines go to jelly, men, take heart. I’ve been thinking.† â€Å"Oh, no!† someone shouted. â€Å"I think I have a way to find the fiend and dispose of him before sundown.† â€Å"Right,† Drew said sarcastically. â€Å"How?† The Emperor picked up Bummer and held out the little dog as if he were displaying the Holy Grail. â€Å"Pound for pound, a better soldier never marched, and a better tracker never sniffed out a sewer rat. I’ve been so stupid.† â€Å"Beg your pardon, Your Majesty,† Tommy said. â€Å"But what the fuck are you talking about?† â€Å"Until last night I didn’t know that the lovely young woman with whom you share your abode was a vampire. Yet every time we passed your building Bummer went into a frenzy. He’s been the same each time we’ve encountered the fiend himself. I believe he has a special sensitivity for the smell of vampires.† They all stared at him, waiting. â€Å"Gather your courage and your weapons, good fellows. We’ll meet here in two hours and remove this evil from my city. And a little dog shall lead us.† The Animals looked at Tommy, who shrugged and nodded. They had a new leader now. â€Å"Two hours, guys,† Tommy said. â€Å"The Emperor’s in charge.† Cavuto watched the Animals disperse though his field glasses. He was sitting in the parking lot at Fort Mason, a hundred yards from the Safeway. He put down the binoculars and dialed Rivera’s number on his cellular phone. â€Å"Rivera.† â€Å"Anything happening there?† Cavuto asked. â€Å"No, I don’t think that anything will now that it’s daylight. The lights stayed off after the kid left, but I could hear a vacuum cleaner running. The girl’s up there but she didn’t turn on the light.† â€Å"So she likes to clean in the dark.† â€Å"I think she can see in the dark.† â€Å"I don’t want to talk about it,† Cavuto said. â€Å"Anything else?† â€Å"Not much. Some kids were dropping pebbles on me from the roof. The guys in the foundry below the kid’s apartment are moving around now. A couple of bums are doing some close-order public urinating in the alley. What’s happening there?† â€Å"The kid worked all night, drank some beers with the crew; they just split up but the kid and the wacko are still here.† â€Å"Why don’t you call in some relief?† â€Å"I don’t want this out of our hands until we know more. Stay by the phone.† â€Å"Anything from the coroner?† â€Å"Yeah, just got off the phone with him. Massive blood loss from the guy in the truck. None from the guy in the morgue. Heart attack. They still haven’t found the girl’s body.† â€Å"That’s because she was cleaning house all night.† â€Å"Gotta go,† Cavuto said. Tommy and the Emperor were waiting in the parking lot when the Animals returned in Troy Lee’s Toyota and began unloading equipment. â€Å"Stop, stop, stop,† Tommy said. â€Å"We can’t run all over the City with spearguns and swords.† â€Å"And shotguns,† Jeff said proudly, jacking a shell into the chamber of Simon’s shotgun. â€Å"Put that back in the car.† â€Å"No problem,† Drew said, holding up a roll of Christmas wrap. â€Å"Dallas, November 22, 1963.† â€Å"What?† Tommy said. â€Å"Lee Harvey Oswald walks into the book depository with a Venetian blind. Minutes later Jackie’s scooping brains off the trunk of a Lincoln. Anybody asks, we’re all giving Venetian blinds to our moms for Christmas.† â€Å"Oh,† Tommy said. â€Å"Okay.† Clint climbed out of the Toyota wearing a choir robe, a half dozen crosses hung around his neck. He held a Baggie full of crackers in one hand, a squirt gun in the other. â€Å"I’m ready,† he said to Tommy and the Emperor. â€Å"Snacks,† Tommy said, nodding to the Baggie. â€Å"Good thinking.† â€Å"The Heavenly Host,† Clint said. He brandished the squirt gun. â€Å"Loaded with holy water.† â€Å"That stuff doesn’t work, Clint.† â€Å"O ye of little faith,† Clint said. Bummer and Lazarus had left the Emperor’s side and were nosing up to Clint. â€Å"See, they know the power of the Spirit.† Just then Bummer jumped and snatched the Baggie, then took off around the corner of the store, followed closely by Lazarus, Clint, and the Emperor. â€Å"Stop him,† Clint shouted at an old man coming out of the store. â€Å"He’s taken the body of Christ.† â€Å"Don’t hurt him,† the Emperor shouted. â€Å"He’s the only hope for saving the City.† Tommy took off after them. As he passed the bewildered old man, Tommy said, â€Å"Last week they were playing cards with Elvis.What can I say?† The old man seemed to accept this and hurried off. Tommy caught up with them behind the store, where the Emperor was holding Bummer in one hand and fending off Clint with his wooden sword with the other, while Lazarus licked the last few crumbs out of the torn plastic bag. â€Å"He ate the blessed Savior!† Clint wailed. â€Å"He ate the blessed Savior!† Tommy caught Clint around the waist and pulled him away. â€Å"It’s okay, Clint. Bummer’s a Christian.† Jeff rounded the corner, his size-fourteen Reeboks clomping like a quarter horse. He looked at the empty Baggie. â€Å"Oh, I get it. They freeze-dried him, right?† Drew came around the corner, followed by Lash and Troy Lee. â€Å"Do we have a partying platoon, or what?† Drew said. Jeff said, â€Å"I never knew that they freeze-dried Jesus, did you?† Lash checked his watch. â€Å"We’ve got less than six hours before it gets dark. Maybe we should get started.† Tommy released Clint and the Emperor lowered his sword. â€Å"We need something to give Bummer the scent,† the Emperor said. â€Å"Something that the fiend has touched.† Tommy dug into his jeans pocket and pulled out one of the hundreds that Jody had given him. â€Å"I’m pretty sure that he touched this, but it’s been a while.† The Emperor took the hundred and held it to Bummer’s nose. â€Å"It shouldn’t matter. His senses are keen and his heart is righteous.† To Bummer he said, â€Å"This is the scent, little one. Find this scent.† He put Bummer down and the little dog was off with a yap and a snort. The vampire hunters followed, losing sight of Bummer as he rounded the store. When they came around to the front of the store, the manager was coming out, holding a snarling Bummer in his arms. â€Å"Flood, is this your dog?† â€Å"He’s his own man,† the Emperor said. â€Å"Well, he just ran in and blew snot all over the cash in register eight. You train him to find money?† The Emperor looked down to the hundred-dollar bill in his hand, then at Tommy. â€Å"Perhaps we should find something else to put him on the scent.† â€Å"Where was the last place you saw the vampire?† Tommy asked. The gate guard at the Saint Francis Yacht Club wasn’t buying a word of it. â€Å"Really,† Tommy said. â€Å"We’re here to decorate for the Christmas party.† The Animals waved their gaily wrapped weapons to illustrate the point. â€Å"And the Archbishop has come along to perform midnight mass.† Tommy pointed to Clint, who grinned and winked through his thick glasses. â€Å"Deus ex machina,† Clint said, exhausting his Latin. â€Å"Shalom,† he added for good measure. The guard tapped his clipboard. â€Å"I’m sorry, gentlemen, I can’t let you through without a membership or a guest pass.† The Emperor cleared his throat royally. â€Å"Good man, each moment you delay may be paid for with human suffering.† The guard thought that he might have just been threatened, hoped, in fact, that he had, so he could pull his gun, and was just letting his hand drop to his gun belt when the phone in the gate booth rang. â€Å"Stay here,† he instructed the vampire hunters. He answered the phone and nodded at it, then looked across Marina Boulevard to where a brown Dodge was parked. He hung up the phone and came out of the booth. â€Å"Go on in,† he said, obviously not happy about it. He pushed a button, the gate rose, and the Animals went in, headed for the East Harbor. Two minutes later the brown Dodge pulled up and stopped by the gate. Cavuto rolled down the window and flashed his badge. â€Å"Thanks,† he said to the guard. â€Å"I’ll keep an eye on them for you.† â€Å"No problem,† said the guard. â€Å"You ever get to shoot anyone?† â€Å"Not today.† Cavuto said. He drove though the gate, staying just out of sight of the Animals. At the end of the dock the Animals and the Emperor stared forlornly at the big white motor yacht moored a hundred yards out into the harbor. Bummer was in the midst of a yapping fit. â€Å"You see,† said the Emperor, â€Å"he knows that the fiend is aboard.† â€Å"You’re sure that’s the boat that he came off of?† â€Å"Most definitely. It chills my spine to think of it – the mist forming into a monster.† â€Å"That’s great,† Tommy said, â€Å"but how do we get aboard?† He turned to Barry, who was applying sunscreen to his bald spot. â€Å"Can you swim it?† â€Å"We could all swim it,† Barry said. â€Å"But how do we keep the gun dry? I could go get my Zodiac and take us all out there, but it’ll take a while.† â€Å"How long?† â€Å"Maybe an hour.† â€Å"We’ve got four, maybe five hours until sunset,† Lash said. â€Å"Go,† Tommy said. â€Å"Get it.† â€Å"No, wait,† said Drew, looking at the rows of yachts in the nearby slips. â€Å"Jeff, can you swim?† The big power forward shook his head. â€Å"Nope.† â€Å"Good,† Drew said. He took the Christmas-paper-wrapped shotgun from Jeff, then grabbed him by the arm and threw him into the water. â€Å"Man overboard! Man overboard! We need a boat.† The few owners and crew members who were performing maintenance on the nearby boats looked up. Drew spotted a good-sized life raft on the stern of a sixty-footer. â€Å"There, you guys, get that.† The Animals scrambled after the raft. The yacht’s crew helped them get it over the side into the water. Jeff, flailing in the water, had slapped his way back to the dock. Drew pushed him away with the shotgun. â€Å"Not yet, big guy.† Over his shoulder he shouted, â€Å"Hurry, you guys! He’s drowning!† Tommy, Barry, and Lash were paddling the rubber raft for all they were worth. The yachtsmen and the Emperor shouted instructions, while Drew and Troy Lee watched their friend trying not to drown. â€Å"He’s doing really well for a non-swimmer,† Drew said calmly. â€Å"Doesn’t want to get his hair wet,† said Troy with Taoist simplicity. â€Å"Yeah, can’t waste that two hours of blow-drying.† Tommy moved to the front of the raft and held his paddle out to Jeff. â€Å"Grab it.† Jeff flailed and thrashed, but didn’t grab the paddle. â€Å"If he stops paddling his head will go under,† Troy called. â€Å"You’ll have to grab him.† Tommy whacked Jeff on the head with the plastic paddle. â€Å"Grab it!† The power forward slipped under for a second and bobbed to the surface again. â€Å"That’s one!† Drew called. â€Å"Now grab it,† Tommy yelled. He raised the paddle as if to strike again. Jeff shook his head violently and reached for the paddle as he went under again. â€Å"That’s two!† Tommy pulled the paddle up with Jeff on the end while Barry and Lash wrestled the big man into the boat. â€Å"Well done, men,† the Emperor said. The yachtsmen stood at the end of the dock, watching in amazement. Drew turned to them. â€Å"We’re going to need that raft for a while, okay?† One of the crewmen started to protest and Drew jacked a shell into the shotgun, ripping the wrapping paper. â€Å"Big shark hunt. We need the raft.† The crewman nodded and backed away. â€Å"Sure, as long as you need it.† â€Å"Okay,† Tommy called. â€Å"Everybody in the raft.† Drew and Troy Lee helped the Emperor get into the raft, then handed over Bummer and Lazarus and climbed in themselves. The Emperor stood at the front of the raft as they made their way across the harbor to the Sanguine II. Twenty yards from the yacht Bummer began barking and bouncing around the raft. â€Å"The fiend is definitely on board,† the Emperor said. He picked up Bummer and shoved him into his pocket. â€Å"Well done, little one.† It took five minutes to get everyone on board and the life raft secured to the stern. â€Å"How we doing on time, Lash?† Tommy asked. â€Å"We’re looking at four, maybe four and a half hours of daylight. Will he wake up at sunset or dark?† â€Å"Jody usually wakes up right at sunset. So let’s say four.† â€Å"Okay, everybody,† Tommy said, â€Å"let’s spread out and find the vampire.† â€Å"I don’t know if that’s a good idea,† said Jeff. He was dripping and his lips had gone blue with the cold. The Animals looked at him. He was embarrassed by the attention. â€Å"Well, in all of the horror movies, the people split up and the monster picks them off one by one.† â€Å"Good point,† Tommy said. â€Å"Everybody stay together; find this fucker and get it over with.† He raised a gift-wrapped spear-gun in salute. â€Å"For Simon!† â€Å"For Simon!† the Animals shouted as they followed Tommy below. How to cite Bloodsucking Fiends: A Love Story Chapter 32, Essay examples

Learning From Others Essay Example For Students

Learning From Others Essay Learning From OthersBy: Me!There is something I have observed as I have grown, and that is, if we value our own lives and generations after us, we must learn from others to better our future. There are many things from which we can learn throughout our lives. In particular, we can learn from the past, present, and our future generations. In the past we have had many horrific tragedies including the Holocaust which occurred during World War II in 1945, and the bombing of Hiroshima in 1945. The pain and suffering that the Jewish people had to endure while they were in concentration camps during the Holocaust was immeasurable. They were included in experimental drug testing which had life threatening effects. They had to go through the pain of being separated from their family members and friends. Also, nobody can possibly forget about the Nazi gas chambers which killed millions upon millions of innocent Jewish people. The bombing of Hiroshima was also another terrible tragedy. We can learn from the pain which the people in Hiroshima had to endure. There is not one humane reason why these people had to be bombed with a nuclear device. The only reason America bombed Hiroshima was because Japan attacked Pearl Harbour. It was not self-defence. It was a chain reaction. We, the world as a whole, must never bomb each other wi th nuclear weapons again. The nuclear weapons we have today are much stronger than the ones used way back in 1945. If this did happen, the result could be the destruction of the entire planet. We are not stupid enough to do that, or are we? Some of us must have learned something from those two mistakes. If nobody did learn anything, then you will be taught right now: We must rethink and reconsider how our actions will affect others, before we carry them out. We must do this with deep thought and concern. If we do this, we can strive to work together for a future which excludes torture, discrimination, and nuclear weapons. The one thing we can relate most to during present times is our contemporaries. People of the same age can better understand each other because they go through the same things, often at the same time. One of the best examples would be teenagers. They go through so many of the same problems including drinking, smoking, doing drugs, peer pressure, and relationship problems. Speaking from a teenagers perspective, there is one particular incident which comes to mind. I have a friend who drinks a lot, to be more exact, he drinks excessively. We were at a party on a Saturday night. Everybody had been drinking. As the party was coming to an end, I noticed my friend get into the passenger seat of his car. I went over to ask him who was driving. He told me not to worry because a sober friend of his was going to drive him home. I had seen the person he named about a half hour before this and that person was sober, so I felt reassured. However, the next day I learned that my friend was involved in a car accident. It turned out that the person driving my friend home had taken some illegal drugs. This had caused the person to have a slower reaction time and he made a left turn right into an oncoming truck. My friend was crushed by the passenger door. He was killed instantly. I learned a valuable lesson from my friends death. You must never trust the judgement of someone who has been drinking. I should have taken the responsibility of sending him home in a cab. Hopefully, with our future technology we can create a device to put into cars which tests the drug and alcohol levels of the drivers blood before the car ignition is able to start. This would prevent the injuries and deaths caused by drivers under the influence of drugs or alcohol. It would save many lives. .u78d7a307eeacdbc6dbe16cc801a4c43e , .u78d7a307eeacdbc6dbe16cc801a4c43e .postImageUrl , .u78d7a307eeacdbc6dbe16cc801a4c43e .centered-text-area { min-height: 80px; position: relative; } .u78d7a307eeacdbc6dbe16cc801a4c43e , .u78d7a307eeacdbc6dbe16cc801a4c43e:hover , .u78d7a307eeacdbc6dbe16cc801a4c43e:visited , .u78d7a307eeacdbc6dbe16cc801a4c43e:active { border:0!important; } .u78d7a307eeacdbc6dbe16cc801a4c43e .clearfix:after { content: ""; display: table; clear: both; } .u78d7a307eeacdbc6dbe16cc801a4c43e { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u78d7a307eeacdbc6dbe16cc801a4c43e:active , .u78d7a307eeacdbc6dbe16cc801a4c43e:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u78d7a307eeacdbc6dbe16cc801a4c43e .centered-text-area { width: 100%; position: relative ; } .u78d7a307eeacdbc6dbe16cc801a4c43e .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u78d7a307eeacdbc6dbe16cc801a4c43e .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u78d7a307eeacdbc6dbe16cc801a4c43e .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u78d7a307eeacdbc6dbe16cc801a4c43e:hover .ctaButton { background-color: #34495E!important; } .u78d7a307eeacdbc6dbe16cc801a4c43e .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u78d7a307eeacdbc6dbe16cc801a4c43e .u78d7a307eeacdbc6dbe16cc801a4c43e-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u78d7a307eeacdbc6dbe16cc801a4c43e:after { content: ""; display: block; clear: both; } READ: Hamlet10 EssayLastly, we can all learn a lot from children. In a way, they are our future generations. They have such an innocence which surrounds them compared to elderly people who have had more